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Tuesday, October 13, 2026
Urbanace Review UK

Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Critical Look at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film is in British and Irish cinemas from 17 November.

About the author

Debbie Reynolds

Clara is a UK-based journalist specializing in consumer technology and urban living trends.

Urbanace Review UK

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